Superman’s Post-Credit Scenes Break the Mold
James Gunn has been shaking things up since he took over the DC Universe, and his new Superman film makes that clear from the final frames. Instead of using the ever-popular post-credit scenes as advertisements for the next big movie, Gunn takes a different road, zooming in on who Superman is rather than what’s coming next.
The first post-credit scene lands us on the Moon, where Superman (played by David Corenswet) shares a quiet moment with his loyal dog, Krypto. They’re simply gazing back at Earth, soaking in a peace that’s rare for heroes who spend their days saving the world. It’s a sharp contrast to most superhero movies, which usually use these scenes to drop hints about new villains or upcoming team-ups. Here, though, Gunn’s focus is clear: it’s about building heart and reminding us there’s more behind the cape than muscle.
The second scene shifts the mood to a freshly patched-up Metropolis. Mister Terrific (Edi Gathegi) has been using his high-tech T-Spheres to repair buildings after a brutal fight. Superman finds a flaw—a visible seam in one of the walls—and points it out, which frustrates Terrific enough that he stomps off. Alone again, Superman quietly admits he can be insensitive sometimes. In just a minute, Gunn gives us a rare glimpse of the Man of Steel’s social stumbles, echoing the classic Silver Age comic covers that poked fun at the hero’s imperfections. It’s a moment both lighthearted and revealing, moving Superman away from the usual flawless icon and making him more relatable.
No Franchise Teasers—And That’s the Point
If fans were waiting for a breadcrumb trail leading straight to the next DCU epic, they didn’t get it here. Gunn deliberately left out the standard “shared universe” teasers. Instead, he builds character, not a checklist for the next phase of the franchise. That ties back to his vision for the DCU’s opening chapter, titled Gods & Monsters, which puts a spotlight on telling good stories before worrying about crossover events.
Supergirl (Milly Alcock) does make her debut, but her first scene isn’t tucked away in the credits. She arrives at the Fortress of Solitude pre-credits, seeking out Krypto. It’s enough to get people talking, but it stops short of promising another spinoff right away. The result? Fans and critics are split. Some appreciate Gunn’s sincerity, saying these scenes actually deepen Superman as a person. Others wonder if fans expecting Marvel-style world-building are being left in the cold.
By focusing on quiet moments—Superman feeling out of place even among heroes or sharing space with his dog—Gunn makes a bet: audiences are ready for comic book movies that say more about character than continuity. It’s a different tone, but maybe, after years of chasing bigger universes, that’s exactly what the DCU needs right now.
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